• TERTIARY Colours—olive And sage, ochre, terra cotta and russet, peacock blue—were favored, a palette affected by William Morris’s revival of medieval formulas, and by the subdued but clear tones of Japanese woodblock prints. The Japanesque was needless to say propelled from the “opening of Japan” by Commodore Perry’s celebrated https://www.watchesworld.com/exploring-the-aesthetics-of-dial-design-and-decoration/